Wednesday, October 24, 2012

New course for Spring '13


Course: C413: Global Villages:

Global Screen Cultures

 

Semester:   Spring 2013                                                        Professor: Stephanie DeBoer

                                                                                    e-mail:  sdeboer@indiana.edu

 

Course Description:

This course explores intersections among (a) the screen cultures of film, television, video and computer-generated media and (b) the dynamics globalization.

 

Globalization, in its most general sense, has been said to refer to “both to the compression of the world and the intensification of consciousness of the world as a whole.”  The production, circulation and reception of film, television, video and digital media have played a significant role in debates surrounding the both the awareness and implications of global or transnational processes. Look through any popular or academic journal or website and you will encounter an overwhelming range of explanations for how local or global film and media cultures are produced, to what effects they circulate and the means through which their representations and identities are engendered.

 

This course explores how television, film, video and digital media have been differently produced, endorsed or critiqued as “global” or “transnational.”  For some, such media have been central platforms for the production of an increasingly interconnected “global village.”  For others, screen media have been a means for challenging the unequal power dynamics of globalization.   For others, they have merely reflected the inequities of global processes. 

 

This course will thus provide you with a set of frameworks for understanding and tools for questioning the terms through which screen media have been produced in relation to globalization.  We will explore the following range of topics, based in case studies from across the globe (including Europe, East and South Asia, Africa, Central and North America): the formation of media capitals, “global” Hollywood, film festival circuits, films of anti-globalization, satellite television, global TV formats, diasporic TV, regional video cultures, transnational co-productions, the internet and the “global village.”

 

By the end of the course, you will be able to:

§  Reflect on your relationships to screen media and the processes, endorsements and critiques of globalization

§  Understand basic terms and contexts through which global experiences, information and ideologies might be mediated by a range of screen media.

§  Analyze and then evaluate the negotiations and dynamics of power through which institutions, producers and users mobilize these screen technologies.

§  Utilize writing, presentational and digital technologies to uncover and critique these dynamics.

 

 

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